Rupal Dave

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Tuesday, May 31, 2011

rupal dave - ArtTakesLondon

http://www.arttakeslondon.com/rupal

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About Me

rupal dave: USA, USA, United States; Myself RupalDave from Ahmadabad , India, have completed Graduation (2003) and Diploma In Visual Art (Painting) From C.N.College Of Fine arts, Ahmadabad 2003, Post Diploma In Visual Art (Painting )From The M.S. University Of Baroda, 2005-06 Baroda after Graduation Did work in Baroda. At present, moved and working as a Visual Artist in USA. www.rupaldave.com

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Recent theory has thoroughly critiqued traditional ways of imag(in)ing sex/gender and sexuality, challenging its tendency to render invisible those ways of being in the world which undermine such normative structures. Such critiques have developed sophisticated ways of understanding embodiment and its representation, investigating

perception/s, issues of visibility and visuality, and the effects on the lived experiences of those both within and without the norm: the effects of sexed imaginaries shape the experiences of the unusual and anomalous, and the everyday and conventional. The interplay between visuality and embodiment, and seeks papers engaged across a variety of areas extending from critical engagements with representations of sex and/or bodies, through to analyses of the shaping of perception/s as one facet of bodily being-in-the-world.

topics

*Phenomenology of perception/s, particularly their denaturalisation

*Representation, especially of bodies, sex/gender and sexuality

*Representations of /as resistance to norms of sex/gender and sexuality

*Modes of spectatorship, both normative and non-normative

*The gaze (filmic and medical), the look, the stare

*Images of the body and body images

*Perceptions of bodies in/of space

*Female masculinities, male femininities, butch, femme, trans* and

*other styles/figurations of bodily being

*Seeing pathology, and other aspects of the medical gaze

*Interventions in normative imaginaries

*Panoptics and panopticism

*Visual imaginaries

*Practices of visuality

*Filmic modes of visuality

*Televisuality

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